Somerville, W.; McKenzie, V.; Fuller, L.; Godden, N.; Harrison, A.; Isaacs-Guthridge, R. & Turner, B. (2023). “Kind regards”: Negotiating connection to Country and place through collective storying. Australian Journal of Environmental Education 39(3), 1–13. doi:10.1017/aee.2023.24 Within this paper we explore the process and outcomes of …
McKenzie, V. and Webb, J. (2023). Re-enactment as Conversation: Yoshiko Shimada’s Becoming a Statue of a Japanese Comfort Woman. In Frederick, U.K., Harrison, A., Ireland, T., & Magee, J. M. (eds.), Difficult Conversations. British Council. Yoshiko Shimada is a contemporary artist immersed in difficult conversations. …
McKenzie, V. (2022). Between freedom and control: A chorus-centred Bakkhai for community ensemble, Australasian Drama Studies 80, 253-277. In addition to capturing the heart of the mythological story, the tension between freedom and control explored so vividly in Euripides’ ‘Bakkhai’ can resonate in the creative …
McKenzie, V. and Florance, C. (2021). A matter of balance: Visual arts in the Australian Defence Force ARRTS program. AXON: Creative Explorations 11 (2) On the Mend: Care, repair & breakage. This paper examines visual arts practices in the context of Arts for Recovery, Resilience, …
McKenzie, V.; Thompson, N.; Moore, D.; & Ben-Ary, G. (2021). cellF: Surrogate musicianship as a manifestation of in-vitro intelligence. In E. Reck Miranda (ed.), Handbook of Artificial Intelligence for Music: Foundations, Advanced Approaches, and Developments for Creativity (pp. 915-929). Springer. cellF is a collaborative project at the …