McKenzie, Vahri (2017). Only the Envelope: An Artistic Exercise in Data Retention, PARtake: The Journal of Performance as Research 1(2), Article 5. Only the Envelope (OTE) combines research methodologies to investigate the ways we share personal information in the public sphere, and document our practices …
McKenzie, V. (2016). Entering the regional scene with a contemporary Lysistrata. In Rebecca Scollen and Michael Smalley (eds.) Resilience: revive, restore, reconnect: Australasian Association for Theatre, Drama and Performance Studies 2016 Conference Proceedings, Volume 1 (pp. 57-69). University of Southern Queensland, Artsworx, Toowoomba, Australia. How …
McKenzie, V. (2014). Underscore Alchemy: Extending the Underscore for creative artists. Journal of Dance and Somatic Practices 6(2), 159-173. Underscore Alchemy is a research project designed to investigate how artists from disciplines outside the performing arts might engage with Nancy Stark Smith’s collaborative improvisation model, …
McKenzie, V. (2014). Extending Underscore Alchemy. Brolga: An Australian journal about dance 39, December 2014, 35-42. ‘Underscore Alchemy’ is a research project designed to investigate how artists from disciplines outside the performing arts might engage with Nancy Stark Smith’s collaborative improvisation model, the Underscore. As …
McKenzie, V. (2012). Using the spectrum to theorise apparent oppositions in creative writing doctorates. In D. Hecq (Ed.), The Creativity Market: Creative writing in the 21st century (pp. 148-162). Bristol, UK: Multilingual Matters. The questions raised by placing creative research within an academic context that …